Simply Speaking

Ask ChatGPT, how to build great brands from buzzy innovations

Hold on. You don’t need a chatbot for it. We have it covered for you. In this week’s Simply Speaking, understand why savvy marketing is perhaps even more important than game-changing innovations. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] In the Internet age, markets have been addressed in a state of fragmentation into various segments and niches. Customer networks emerged and its members influenced each other’s choices reciprocally. Traditional one-way communication—inform, persuade, and convince to buy – has been replaced with nuanced approaches where consumers themselves decide the main influencer. (Representative Image: Kyle Glenn via Unsplash) “The two most important functions of a business are innovation and marketing” – Peter Drucker A new sun has risen in the world of tech innovations. ChatGPT has the potential to change the world in many ways, impacting jobs and transforming industries. Its ability to understand and generate human language could be used to improve the capabilities of a wide range of AI-powered systems, including virtual assistants, chatbots, and other types of natural language interfaces. This could make it easier for businesses to interact with customers and for individuals to access information. In different fields such as customer service, content creation, search, information retrieval and education, ChatGPT is set to transform the world. While it’s important to note that the model is still new and that there are ethical and societal implications that need to be considered, the potential benefits of ChatGPT are hard to ignore. Google, Meta, Amazon, several start-ups are taking on this ‘open AI + Microsoft’ combine. It is not going to be an uncontested road ahead. Is this change truly shape shifting and immutable? Is it merely evolution with more fizz? What lessons can be learned from brand building of innovations? It is a proven fact that great ideas die in labs and proving grounds because a viable means to commercialise them does not emerge. When the lucky few do make it to the marketplace, getting awareness and due consideration is a steep hill to climb. Then there is the need to be able to present a product with due context. It is like looking into a mirror. Too close and you can’t see the full picture and too far away, you cannot see clearly enough. In a similar way, market immersion needs to be optimised and done iteratively. Innovations driven by a new technology, typically follow a multi phased marketing process. As soon as a new technology emerges, it is initially used by experts and technology enthusiasts. As it begins to spread, new companies most open to innovation in marketing come into the market. At this time the majority adoption has also occurred. The earlier technology now begins to be commonly used. A stage is again set for innovation. This cycle repeats itself with shorter and shorter time frames. Three ‘laws’ can explain this new world. The first is the ‘Moore’s Law’ of exponential growth and ever lower costs of computer power. The second is ‘Metcalfe’s Law’ about the value of networks, which grows disproportionally to accretion in size, and the third ‘Gilder’s Law’ is that the total bandwidth of communication systems triples every twelve months. The business model of the mechanical age (and the first phases of the electronic age) was based on the creation of efficiency through economies of scale in production and economies of scope in distribution. In the Internet age, markets have been addressed in a state of fragmentation into various segments and niches. Customer networks emerged and its members influenced each other’s choices reciprocally. Traditional one-way communication—inform, persuade, and convince to buy – has been replaced with nuanced approaches where consumers themselves decide the main influencer. Innovations are evaluated differently now than before. People are better informed, interact faster, and act faster. As the customer network gains weight, its influence on the reputation of the brand needs to be reconsidered periodically because effectiveness can decrease when buyers belong to new generations. In my opinion, the growth of artificial intelligence-driven algorithms and predictive analytics have heightened the need for more expertise and ‘true to domain’ marketing rather than lessen it. Marketing is deliberately cramped in most ‘routine’ decision making. Sales metrics are often used to evaluate brand building. The reverse is often ignored. In other words, brand health surge, a lead variable, may get ignored when compared to a surging sales performance which may well be on the back of promotions and tactics that in fact damage the brand. The search, content, and loyalty campaigns that get called marketing are mostly only shallow tactics. True brand magic is up the value chain – in ideas, insights, product origination or indeed, creating markets. Any cheaper alternative can be found for boring copy or visual rendition. You hardly need ChatGPT. Understanding people’s fundamental needs and drivers, identifying customers, and developing the entire go-to-market and usage ecosystem decide the success of innovations, especially breakthrough ones. Marketers need to be included in development discussions upstream in the innovation development process. Besides clearly defining who to sell the new offering to and how to sell it, such involvement helps in the following ways: Exploration of consumer needs and framing of insights – Marketing must probe deeper than the consumer has thought about the need. It must dive into the subconscious. Unstated needs are the best sources of value creating innovations. Creation of product or service appeal based on relevance and context – The context is about the cultural, social, and psychological levers that elevate an innovation to an instant or enduring hit. Walking in consumer shoes – Done via customer research and insight development, it bleeds into communications framing and marketing must ensure genuine consumer utility is obvious. Thinking of entire ecosystems – Innovations today rely on several partners and involves others outside organisational boundaries directly and indirectly. Going solo may often be detrimental to rapid brand establishment. The recent past has several examples – Blackberry, Electronic diary, Pager, Segway, Walkman, iPod, 3D printing, Blockchain, and Augmented Reality/Virtual Reality that succeeded, rose and then wasted the original scale of promise that was visualised or surrendered it to the

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ChatGPT, Microsoft vs Alphabet, Big Tech – what you really need to know about the battle for AI supremacy

In Simply Speaking this week, explore the deep implications of the likes of ChatGPT and the grand arc of AI. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] In enthusiasm for artificial intelligence, Marvin Minsky has been quoted as saying that the thinking power of silicon “brains” will be so formidable that “If we are lucky, they will keep us as pets.” (Representational image via Unsplash)   Silicon Valley is in a frenzied rush to find, fund, nurture and advance “generative” A.I., technologies that can generate text, images and other media in response to short prompts. Microsoft invested $10 billion in OpenAI, the San Francisco start-up which has made ChatGPT. It is noteworthy that the surge in AI funding comes at a time when funding for other start-ups has dried up, in a dismal market for tech investing. This is not surprising since it brings forth a technology that is spontaneously capable of handling any task an average person could do. This is unchartered territory. It will be – socially, emotionally and economically – a first in human history. After the invention of the digital computer, it was abundantly clear that it could perform functions that could in some sense be called “intelligent.” In 1936, the great English mathematician Alan Matheson Turing showed that it was possible to build a machine that would, for specific practical purposes, behave like a problem-solving human being. Turing claimed that he would call a machine “intelligent” if, through typed messages, it could exchange thoughts with a human being—that is, hold up its end of a conversation. In the early days of MIT’s Artificial Intelligence Laboratory, Joseph Weizenbaum wrote a program called ELIZA, which showed how easy it was to meet Turing’s test for intelligence. PitchBook, which tracks private investment data has reported that Anthropic, a San Francisco artificial intelligence start-up, is close to raising roughly $300 million in new funding. It values Anthropic at roughly $5 billion as reported by The New York Times. The startup, which was founded in 2021, previously raised $704 million, valuing it at $4 billion. Other funding deals in the works include Character.AI which lets people talk to chatbots that impersonate celebrities, Replika, another chatbot company, and You.com, which is rolling out similar technology into a new kind of search engine. The reason why generative A.I. is the hottest interest area today is because these technologies are poised to remake everything from online search engines like Google Search to work tools across industries. These corporate research labs are running an epic race for AI supremacy. This will decide how we live and use computers and who will commercially dominate the coming new era. Anthropic was founded by a group of people that included several researchers who left OpenAI. Most of its early funding came from the tarnished cryptocurrency entrepreneur Sam Bankman-Fried and his colleagues at FTX. Microsoft had already invested more than $3 billion in OpenAI, and the new deal is a clear indication of the importance of OpenAI’s technology to its future competition with other big tech companies like Google, Meta and Apple. More than a million people tested the chatbot within five days of its launch, using it to answer trivia questions, explain ideas and generate everything from poetry to term papers. This is the steepest commercial scale launch of any online tech till date. With Microsoft’s deep pockets and OpenAI’s cutting-edge artificial intelligence, the companies hope to remain at the forefront of generative artificial intelligence —after its ChatGPT became the symbol of a new and more powerful wave of A.I. The cruel irony is that this deal follows Microsoft’s announcement last week that it had begun laying off employees as part of an effort to cull 10,000 positions related to what it called “changes to our hardware portfolio”. Satya Nadella has bet big on artificial intelligence, which he called “the next major wave of computing.” OpenAI’s stated mission was to build artificial general intelligence, or A.G.I., a machine that can do anything the human brain can do. When OpenAI announced its initial deal with Microsoft in 2019, Satya Nadella described it as the kind of lofty goal that a company like Microsoft should pursue, comparing A.G.I. to the company’s efforts to build a quantum computer. OpenAI was created in 2015 by small group of entrepreneurs and artificial intelligence researchers, including Sam Altman, head of the start-up builder Y Combinator; Elon Musk, the billionaire chief executive of the electric carmaker Tesla; and Ilya Sutskever, a living legend of a researcher. They founded the lab as a nonprofit organization. But after Mr. Musk left the venture in 2018, Mr. Altman remade OpenAI as a for-profit company so it could raise the money needed for its research. A year later, Microsoft became a funder and investor. It paid for the enormous amounts of computing power needed to build the kind of generative A.I. technologies OpenAI is known for. As of now, the company is valued at around $29 billion. In 2020, OpenAI built a milestone A.I. system, GPT-3, which could generate text on its own, including tweets, blog posts, news articles and even computer code. Last year, it unveiled DALL-E, which lets anyone generate photorealistic images simply by describing what he or she wants to see. Based on the same technology as GPT-3, ChatGPT showed the general public just how powerful this kind of technology could be. More than a million people tested the chatbot within five days of its launch, using it to answer trivia questions, explain ideas and generate everything from poetry to term papers. This is the steepest commercial scale launch of any online tech till date. Companies like Google and OpenAI can push the technology forward at a faster rate than others. But their latest technologies have been reproduced and widely distributed. They cannot prevent people from using these systems to spread misinformation. Microsoft has already incorporated GPT-3, DALL-E and other OpenAI technologies into its products. Most notably, GitHub, a popular online service for programmers owned by Microsoft, offers Copilot, a tool that can automatically generate snippets of computer code. Microsoft expanded availability of several OpenAI services to customers of its Azure cloud computing offering

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Simply Speaking: Aping trends is wannabe. It is not what great brands do

Buck the trend of marginal futility and create something bigger and enduring [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] Apple is the most valuable enterprise on the planet but you could put Apple’s entire product portfolio together on your desk. It has built value through immense focus and brand identity. Each facet of the brand experience inspires people through both tangible and intangible means. Most Apple users feel a part of a community that is elevating for them. Image: Shutterstock “Two roads diverged in a wood, and I—I took the one less travelled by, And that has made all the difference.” Robert Frost Great brands often earn synonymy with their category, pricing power and wide acceptance and deep penetration. But, to my mind, there is another, higher order test. Great brands don’t chase trends. They often ignore them. But they do set trends for lesser, non-strategic brands to follow. Mediocre marketers are avid trend-followers. It is a trap. Great brands are great if they have the stature to challenge trends. The truly great brands build and advance genuine cultural movements. This is not possible till there is true self knowledge and a depth of understanding within marketing ranks. Rarely will careerism weld with a calling. It is possible to buck the trend and take a counterintuitive approach only if you truly understand what your business definition is and explore that scope fully. It means rising above product myopia. Following a trend is taking the easy road and going with the herd. If everyone’s doing it, how wrong can it be? Besides, who wants to expose their company to getting left behind, to being excluded from the next big thing? Being ‘on trend’ is likely to be the simplest and most direct way for any business to raise short-term revenue. The seductive logic is that riding a wave of a fashionable trend will make people notice a brand and talk about it. Reebok rode the aerobics dance trend through the early 1980s and launched a first exercise shoe designed for women. The hit status of that product led to Reebok’s $68 million IPO, one of the most successful public offerings made in 1985. But one swallow does not a summer make. ‘Sameness’ is the kiss of death. When you set the trend benchmark you are a “more or less” copycat. Your brand logic becomes “I am the same as X but cheaper” or “I am same as Y but (amplify benefit claim)”. This “same but different” position is a dangerous place to be. Not only does it relegate your brand to subordinate status compared to the brand used as your reference point, but it also tells customers that your brand possesses only comparative value, rather than having its own inherent value. Your value proposition becomes “just as good as Brand X.”   Also read: Simply Speaking: From Nike and Adidas to LV and Balenciaga — sportswear and its ascent into high fashion Instead of copying trends, brands must do things that highlight the uniqueness of their brand and customer experience. Rather than mindlessly jumping on the trend juggernaut, a brand must be managed to develop long-term relationships with customers. The brand equity that isn’t ownable is ephemeral. Aping trends is wannabe. It is not what great brands do. True innovation is risky. Its proof of success must be publicised and commercialised. Segway was much celebrated at its debut, but it could not ‘land and expand’ on the basis of sheer utility. Trend riding is easier but there is a lack of context and “copy all” execution of a strategy. Trends come and go quickly. Related products and personalities may become popular overnight but lack the majesty of originality. Plus given the super saturation that is the norm now, the collective consciousness drops the trendy shiny objects as fast as they adopt them. A rapid life cycle can wreak havoc on efforts to build a sustainable brand image. Coco Chanel said “style is forever”. A brand must build products and services that are consistent with their internal culture. When Hot Topic opened its first store in 1987, its edgy styles were a hit among teens bored with preppy Tommy Hilfiger and similar conservative brands. But then as the punk look faded from popularity in the early 90s, so did Hot Topic’s performance. Liquid Death as a brand is elevating canned sparkling water to a lifestyle statement. It sends you your horoscope as an engagement gratification and its stated motto is to ‘murder your thirst’. Well, it is a distinctive if not exactly distinguished approach.   Also read: Simply Speaking: Emotion as a marketing lever—you can’t wish it to happen Brands must originate with authenticity and a full injection of personality. A culture of novelty seeking kills true innovation. If you’re seeking inspiration by drawing on the same narrow range of artifacts as everyone else, you’re going to end up with products and solutions that everyone else already has. The results will be marginal, and the status quo will prevail. Tall brands must stand out. A distinctive brand makes deliberate hardworking choices. Great brands, in fact, challenge established trends. In 1993, Steve Ells, a trained chef and graduate of the Culinary Institute of America, came to Boulder, Colorado—and opened the first in a chain of Chipotle Mexican Grills. Its food was produced fast and inexpensively, but the quality and the flavour weren’t compromised in the way that typical fast food fare is. There are now more than 3000 Chipotle locations across America within 30 years of birth. It employs more than 100,000 people. Chipotle created “fast casual,” which offers a more upscale dining environment and food quality, along with higher prices, but in the familiar, convenient limited-service format of fast food. An interesting fact is that much of Chipotle’s early growth had been financed by a large investment from McDonald’s Corporation, but it never succumbed to taking a prescription.   Also read: Simply Speaking: A brand mosaic and the little things that make it The TED conference was a much

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Simply Speaking: Loyalty – A mirage or a fountainhead?

Marketers who can’t earn customer loyalty declare that it is dead. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] Brands earn loyalty by distinguishing themselves with their actions. The decline and death of brands has been predicted with every disruption whether private labels, ecommerce or near perfect information availability. Instead we find top brands are strengthening their positions across industries. Loyalty is not dead, only the ability to create loyalists is wanting, writes our columnist in this week’s Simply Speaking. (Representational image: Artem Beliaikin via Unsplash) Corporate growth strategy has increasingly been accented towards new business acquisition and not as much on continuing business, cross selling and upselling. Loyalty has been seen as a ‘good to have’ aspiration at best. In the past few years, I have published numerous articles on brand sociology, tribal affiliation, fandom and the brand cult. My work allowed me to see the consumer- brand connect from the loyalty perspective across categories, managing and working with power brands such as Axe, Lakme, Smirnoff, Johnnie Walker and Royal Enfield. I studied reward programs closely when I handled Marketing for Visa for South Asia with more than 100 issuer banks on board. As CMO at Star sports, I created properties such as Pro Kabaddi that brought fans of a sport into limelight for the first time and created millions more. I know that every marketer knows it is easier to retain a customer than to acquire one. It is also more profitable to do so. Beyond doing away with acquisition costs, loyalists become allies to marketing. Consumer apathy to advocacy is the royal road to marketing nirvana. If you don’t believe in loyalty, you question the very basis for a brand to exist. Is a brand not an abiding preference that rises above commoditisation and builds deep, lasting associations? The growth of new age business was earlier declared as having risen above loyalty. Amazon, Facebook, Google or YouTube were seen as near monopolies. How could anyone be anything but loyal? Now Big Tech is in crisis mode and the Code Red call for action is loyalist retention. Ask Meta or Snap about the relentless growth of TikTok. Brand loyalty is often attacked as being not about loyalty but gratification. Rewards, schemes, discounts hold on to customers not emotion, so goes the argument. The scientific evidence on correlations between loyalty rewards and brand esteem is tentative at best. Certainly, it changes across categories. In some places, it has become currency as in the case of CPG wholesale trade, Airline frequent fliers and retail ‘earn and burn’ rewards. Can you deem a brand loyalty programme special if every player in the category has the same plan? Often what seems like loyalty is not loyalty but mere process adherence. The hassles of change are too painful and inherent inertia battles the urge to judge rationally and act accordingly. I may want to change my phone, house, car or bank but I stay on, nevertheless. Brand loyalty is now hard earned. But brand loyalty still exists, and it still pays. We don’t need evidence that brand loyalty exists. Each of us, in our capacities as consumers, have a sense of moderate to deep loyalty born out of a positive bias for a brand. I am privileged to work at the Tata group, revered as a national icon and institution. Our customers acknowledge the massive role Tata continues to play in nation building. This loyalty is genuine and such a loyalist core has had a disproportionate role in the development of brands. Brand loyalty is hard to achieve, probably harder now than ever because it requires an enterprise-wide focus on delivering a consistent brand image and experience. Kurt Lewin said, ‘there is nothing so practical as a good theory’. That cannot be said about our understanding of loyalty. There theories crumble in the face of practical considerations. Across leading brands, the prevalent practise is to measure a Net Promoter Score , a simple metric to assess traction with customers. Customers rank on a scale of 1 to 10 how satisfied they are with a brand overall or with a specific experience of that brand. Endorsers score at 9 or 10 ; detractors are those who rate it at 6 and under. Subtracting the detractors from the endorsers, you arrive at a net score . It is a direct measure of how many promote a brand and are likely to recommend it. That is seen as a good proxy for brand loyalty. As a customer I am bombarded by emails or text messages asking me to rate how satisfied I am with almost every interaction I have had with a company. My bank, airline, hotel, restaurant, dentist, mobile phone network, car company and grocery store all want my vote of loyalty. So, what is it about loyalty that marketers fail to grasp? The secret is that we are loyal to brands we truly like The Meaningful Brands Index by Havas with a sample size of more than thirty thousand consumers globally does a correlation between brand loyalty and importance to consumers. Consumers have no real loyalty to three-fourths of the brands they buy. But there are brands which are very important to consumers. These are brands with whom they have affinity, shared or common values and consider indispensable in their lives. These are the ‘meaningful’ brands. Loyalty can’t literally be bought. Fan following in sports, as loyalty with brands, must be earned. But while it’s difficult to put a price on acquiring the loyalty of any given customer, brand loyalty is certainly big business. Dawn Lerman, a professor at Fordham university wrote a book ‘The Language of Branding’ in which she explained how iconic brands can get followers to use a special lexicon that creates a sense of belonging and community. Consumers want an ongoing interaction with a brand that does something special for them and for the world in which they live. These are brands with ‘purpose’ and have acquired a stature to own it. Apple, Lego, Nike, Harley-Davison and Patagonia are such

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Simply Speaking from the FIFA World Cup 2022: Copo Del Mundo – Qatar emerges the winner

[siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] “As a marketer, I saw an end-to-end attention to detail, focus and singularity of intent. They followed the dictum – do well that which matters to your customers – to near perfection”   Link: https://www.linkedin.com/posts/cnbc-tv18_simply-speaking-from-the-fifa-world-cup-2022-activity-7010223323343130624-VGwU?utm_source=share&utm_medium=member_ios https://www.cnbctv18.com/storyboard18/simply-speaking-from-the-fifa-world-cup-2022-copo-del-mundo–qatar-emerges-the-winner-15447701.htm

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Simply Speaking: The rise and fall of Kodak

If ever there was a brand that owned a category, it was Kodak. But it lost its way thinking what it did was always right. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] In 1996, Kodak was ranked as one of the four most valuable brands in the world behind Disney, Coca-Cola and McDonald’s. The brand’s themes resonated in every heart as ‘America’s storyteller’. On billions of occasions, it gave consumers ‘Kodak moments’ to cherish. In doing so, it entered the mainstream of social life and culture. Owning good times and fond memories was as powerful a platform as any brand could claim and own. (Representative image via Unsplash) “A dark tent, a nitrate bath, and a water container.! You did not bring just a camera to take a picture; you brought the whole lab. All this was to change, thanks to George Eastman. Eastman founded a company that has had major worldwide influence almost since its inception. To initiate and maintain an organization with such clout, Eastman required a variety of resources, including the intelligence to develop new processes, a good business sense, and a willingness to take risks. But it is unlikely that Eastman’s success could have been achieved without his strong brand: Kodak.” – Building strong brands – David A. Aaker Facebook bought Instagram for $1 billion in 2012, a shocking sum at that time for a company with 13 employees. The same year Eastman Kodak – the most storied company in imaging went bankrupt. It is a chapter of business history that marketers need to go back to again and again. Kodak was an institution. Anyone of my generation or before will instantly understand the meaning of the phrase “A Kodak Moment.” Kodak became an iconic brand. It was the source of a flood of innovations. It single handedly created a market and category. George Eastman had a simple vision: to make photography as simple as using a pencil. In the late 1800’s photography, a newborn process and technology was complicated. The sheer logistics of capturing images was hassle prone and mechanical. Cameras were big, heavy and hard to use. Besides the bulky cameras and their set up, you had to move with a lab to develop the plates. In 1888, Eastman began marketing a camera that made photography accessible to all, not just to the committed artist. The camera sold for twenty-five dollars. The beginner had only to pull the cord, turn the key and press the button. For ten dollars, the pictures would be developed and new film would be reloaded. One of Kodak’s first ads in 1888 served to position the firm for the next century. It showed a picture of a hand holding a camera, with a headline written by Eastman: “You press the button, we do the rest.” That is a compelling brand promise. It is evident of clarity and purpose. George Eastman made photography simple and portable. He democratised it, made it accessible, cheap and universal. In 1892, he created the roll film and a camera capable of taking advantage of the roll. Kodak was a fountain of first ever innovations. The folding Kodak, introduced in 1890, was easier to carry. The Kodak Brownie, launched at the turn of the century, remained the company’s staple product for almost eighty years. The Instamatic, an easy-to-load camera with flash cubes was introduced in 1963. A disposable Kodak FunSaver arrived in 1988 wherein the entire unit camera and roll were to be handed to developing studios for processing the film and recycling the camera. The brand was seen as iconic, but the brand’s purpose wasn’t seen as legitimately empowered to create shared value throughout the ecosystem of product developers, service providers, software developers, social media channels, and influential customers that comprised the new digital world. Consumers gravitated toward others who executed better than Kodak. For over a century, Kodak remained synonymous with capturing life’s moments. Promotions, advertising and an omnipresent logo also did their part to build awareness for Kodak. As early as 1897, twenty-five thousand people participated in an amateur photographic competition which Kodak sponsored. In 1904, it brought to life a ‘Traveling Grand Kodak Exhibition’ of forty-one photographs. As America built motorways, it erected “Picture Ahead!” road signs cementing its association with imaging. Its advertising was always about fun times, family and the product was presented bang centre. During the Kodak hour which was heard on radios in the 1930s, listeners heard family photo albums being described. Photo albums became the record of lives lived. A 1967 award-winning Kodak commercial featured a couple in their sixties cleaning the attic. They chance upon a carton of old photos showing their entire life journey starting in their twenties and across the years that followed – getting married, enjoying their honeymoon, having their first child and attending the graduation of their son. The commercial ended with the woman, now a grandmother, grabbing an Instamatic to take a picture of her new-born grandchild. Kodak made an early decision to go global. Only five years after the Kodak camera was introduced in the United States, a sales office was opened in London. In 1930, Kodak had 75 percent of the world market for photographic equipment and about 90 percent of the profit. In 1996, Kodak was ranked as one of the four most valuable brands in the world behind Disney, Coca-Cola and McDonald’s. The brand’s themes resonated in every heart as ‘America’s storyteller’. On billions of occasions, it gave consumers ‘Kodak moments’ to cherish. In doing so, it entered the mainstream of social life and culture. Owning good times and fond memories was as powerful a platform as any brand could claim and own. But, by the time it went bankrupt in 2012, Kodak had vapourised $30 billion in market value between a peak in 1999 and its eventual demise in 2012. What happened ? What lessons may we all learn ? The shorthand answer given is that Kodak missed the digital photography epochal change and that its digital-age products were simply sub-par. Indeed there is a case to be made for poor strategic planning, lack

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Simply Speaking: The changing face of Big Tech brands – from focused value creators to conglomerates

Being a ‘conglomerate’ is again the name of the game. The sprawling new tech conglomerates in a hydra-headed structure will bring up fundamentals pertaining to the brand for a fresh application or re-evaluation. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] Jeff Bezos’s Amazon is driven on the vector of ‘efficiency via disruptive technology’ and is investing in server farms and drones. He owns the Washington Post in his personal capacity. Mark Zuckerberg’s Facebook became Meta and he bet the shop on creating its Metaverse. Elon Musk, is not only the boss of Tesla, the electric-car maker and Twitter but also a huge investor in space travel and solar-energy systems. One of the constantly in and out of fashion constructs in brand marketing is the concept of the conglomerate. In the last 50 years they have been on a see-saw where brand esteem is concerned. Storied names such as GE, ITT, Hanson Trust of Britain, the Japanese Zaibatsu and Korean Chaebols got feted as the highest branded manifestations of capitalism. Then they were rubbished as inefficient, defocused, bloated relics. Gold framed MBAs at Wall Street claimed that companies should focus relentlessly. They opined that it was investor dharma to minimise risk by choosing sector specific companies rather than backing corporate pachyderms. It came to pass that ‘diversification’ itself was reason enough to attract a “conglomerate discount”. Brands were seen as stretching irrationally when crossing sectoral boundary lines. Warren Buffett – the sage of Omaha – must get credit for steadily resurrecting the stature of conglomerates. His investment vehicle, Berkshire Hathaway is a textbook conglomerate. When he bought Precision Castparts, a maker of aerospace components, for $37 billion, it was the biggest deal in Berkshire’s 50-year history. His method is focused on chasing growth and value over the longer term, and this knows no boundaries of vertical, category or industry. It seems that the pendulum of guru opinion is shifting back again to the other extreme and ‘being a conglomerate’ is again the name of the game. What is surprising is that the leaders of the current pack are the pioneering and focused digital Tech leaders of the world – Google, Microsoft, Apple and Amazon. Google’s evolution as Alphabet goes well beyond its mammoth original, core business – internet search and advertising. It has birthed several subsidiaries from commercialising driverless cars to extending human lifespans, each a potential standalone company within the group. In effect, it is on course to become an increasingly diversified company. This kind of metamorphosis is facilitated by two enablers – technology and secure cash flow. Information technology is transforming established industries, from mobility to education to manufacturing. Google – with the collective brain power its talent pool possesses and the cash pile its business generates – is well placed to pursue all sorts of projects, even as unrelated as creating artificial meat. Jeff Bezos’s Amazon is driven on the vector of ‘efficiency via disruptive technology’ and is investing in server farms and drones. He owns the Washington Post in his personal capacity. Mark Zuckerberg’s Facebook became Meta and he bet the shop on creating its Metaverse. Elon Musk, is not only the boss of Tesla, the electric-car maker and Twitter but also a huge investor in space travel and solar-energy systems. This is surprising but not a first time occurrence. In its own era, General Electric grew into a conglomerate as Thomas Edison imagined electricity’s capacity to transform the everyday world. Many Japanese players began with microelectronics or miniaturisation as a core competence and extended far and beyond. Berkshire’s steady evolution into a conglomerate shows us why conglomerates are always around. Success lies in sound management and acute capital allocation. Conglomerates neutralise risk by diversification. They can cross pollinate talent and leverage a strong market position to their advantage. When GE went far beyond appliances, power and aviation engines into broadcasting and financial services, its ability to select, train and promote general managers was the enabler. Break-ups, divestments and spin-offs shook up the older established conglomerates such as General Electric, United Technologies Corp, DowDuPont, Honeywell, ThyssenKrupp, ABB, and Siemens. But the ‘Big Tech to conglomerate’ phenomenon is led by an entirely new breed of top performing, multi-talented entrepreneurs with the proven ability to revolutionise old industries by applying new technologies. Berkshire’s steady evolution into a conglomerate shows us why conglomerates are always around. Success lies in sound management and acute capital allocation. Conglomerates neutralise risk by diversification. They can cross pollinate talent and leverage a strong market position to their advantage. In the Developing & Emerging markets, this has always been the norm. There conglomerates outperformed more focused pure-play firms, because of better access to raw materials, regulatory leverage and better brains. Once again, in all parts of the world M&A activity is dominated by deals taking firms into new lines of business, rather than ones to build scale, which generate synergies. As walls go up across the world and globalisation takes a backseat, large multi-industry conglomerates will emerge in all major economies. This expansion by Tech giants is well researched and planned. Think of Amazon buying PillPack, an online pharmacy and making it a part of Amazon Pharmacy. Amazon’s venture in healthcare is an audacious one because it ties up so much of what it can potentially offer. Many tech firms have health care ambitions. Apple has tied up wellbeing to its iPhone. Alphabet sells wearable devices and is pumping money into biotech research. Amazon has an online service – the Amazon Clinic that offers virtual health care across most states in the United States. It acts as a virtual storefront connecting users with third-party health providers. Amazon’s Halo band is a wearable device that monitors the user’s health status. The move into primary care, disrupts the role of the General physician and is a big step in a market worth trillions of dollars worldwide. Valuing the brand when conglomerates own traditional hard assets was better understood but it’s not well established when it comes to estimating the worth of nascent digital ones. Big Tech has the staying power and is desperately looking for white spaces to avoid hitting the growth plateau. Amazon’s move into logistics flustered incumbents such as XPO Logistics, FedEx and UPS. There

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Simply Speaking: From Nike and Adidas to LV and Balenciaga – sportswear and its ascent into high fashion

How the multibillion dollar sportswear industry wrote the rulebook on influencer marketing.   [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] The rise of sneakerdom is a wonderful example of what a magical world marketing can make. (Representational image via Unsplash) Fashion should be a form of escapism, and not a form of imprisonment. It’s time to let loose a bit. [People] don’t want to look at a two-piece suit with a wide belt. They want to see something that takes them away.” – Alexander McQueen Sportswear is now mainstream casual-wear across the world. Sneakers, track-jackets and pants have become haute ‘cool’. This story is an important one. It is most representative of how brand building will work for most categories in the future. The role that superstar celebrities – in particular musicians and athletes – play is worthy of detailed examination. The emergence of sportswear as a multibillion dollar industry wrote the rulebook on influencer marketing along the way. Not all is well in the sportswear fashion world on this count. In a succession of terminations, the industry has chosen to bleed away revenue and profits rather than tolerate racism, bigotry or xenophobia by those who are otherwise acknowledged as super achievers. Nike stopped its relationship with Kyrie Irving, a basketball player and will no longer release his new shoe slated for launch this month. He was suspended by the Nets for publicising an antisemitic film on social media. Nike is facing challenges and business is hardly the usual. Its stock has fallen 41 percent in the past year. Kyrie Irving, was due to launch his new shoe, the Kyrie 8, which was supposed to hit the market now. Just the last month, ‘rapper – designer’ Kanye West, who now goes by Ye, made a series of antisemitic remarks and wore a shirt with a slogan associated with white supremacists. Major brands such as Balenciaga and the Creative Artists Agency cut ties with the artist despite his proven commercial success. Adidas also pulled the plug on its relationship with Ye, at an enormous cost. At Adidas, an entire division was devoted to selling Yeezy merchandise. Estimated revenue loss is of the order of $250 million. There are other, longer lasting relationships which continue to lay the golden eggs. Nike and its association with Michael Jordan selling a line of sneakers and other athletic wear — amounted to $5 billion of Nike’s $44.5 billion in total revenue. Going beyond, Nike has LA Lakers superstar LeBron James and Kevin Durant of the Nets in its platoon of influencers acting as designers for their signature merchandise. Using celebrities and athletes to design, develop, merchandise and market sportswear is not a new phenomenon. Nike, Adidas, Puma and Under Armour have all actively nurtured ties to entertainment stars and top athletes. Now, in the age of social media, the risks are just as real as the rewards. When a face was an endorser in the past, the brand was making the advertising campaign more resonant with what the celebrity stood for. The attributes, products, brand values were in a straight line. Then the world got more chaotic, and the chaos moved faster around all stakeholders. Nike boldly embraced disruptive advocates and pushed what was seen as bold but polarising content in the areas of equity values. It has been signalling to consumers since partnering with the former N.F.L. quarterback Colin Kaepernick in 2018. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] But Irving’s antisemitic remarks were an outrageous foul which merited action. He posted a link on social media to the film “Hebrews to Negroes: Wake Up Black America,” clearly seen to be antisemitic including Holocaust denial. A well regarded sneakerhead, besides his sporting stardom, many of the shoes Irving designed for Nike like his “I Love You Mom” series of shoes were not linked to sporting imagery. This is the age of the sneaker. A rubber-soled, simply uppered footwear has been magically transformed by marketers into a product of fantastic urges. It is a class of product which ‘everyone wants even if not needed’. A vastly profitable category worth billions of dollars with a brand velocity uniquely uniform across most of the world. Like Blue Jeans, the sneaker has come to be an emblem of cool. For the uninitiated, initially there is a casual relationship and Nike, Puma, Adidas and Reebok – are all “same same but different”. But as you get into the ‘sneaker mindset’ it becomes a deeply evocative subject and a pair of shoes transforms to a most valuable asset. I learned much from “The Ultimate Sneaker Book” published by Taschen. It’s a history of sneakerdom. From Jeremy Scott at Adidas to Kanye West with Reebok, Nike, Louis Vuitton and Adidas, it chronicles the change in sneaker marketing. Like a mountain river that floods the plains, a niche has expanded to a universe all its own. The yet to be initiated may do well to peruse the content of Sneaker Freaker, a website that, since 2002, has become the be all and end all of sneaker wisdom. Coming back to the “track pants”, Ermenegildo Zegna has a cashmere-wool mix with buttoned snaps at the ankle. Giorgio Armani has them in checked mohair. Hermès sells one that is technically treated silk. The likes of Lemaire, Berluti, Louis Vuitton, Paul Smith, Brioni have many more of their own. The revolution has reached main street. The “joggers”, go with a tuxedo jacket and sneakers. Elasticised pants are not only in vogue, they are gripping on to global fashion. Back in 2009, at the Paris Fashion Week, Kanye West designed three sneakers in collaboration with Louis Vuitton. The resulting shoes each retailed at $1,000 a pair. It was an all-red colourway titled the ‘Don’. In time Ye, then going by Kanye West, got called Kan, the Louis Vuitton Don. These shoes, precious as they are, now retail between $6000 to $18,000 on auction and merchandise sites, where available. Simon “Woody” Wood, Sneaker Freaker’s founder and editor of “The Ultimate Sneaker Book” makes the point well in his foreword: “Strange, isn’t it, that a few bits of leather and suede sewn onto a slab of rubber and wrapped in nylon thread could mean so much to so many.”

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Simply Speaking: A brand is a dream, and its real home is the unconscious

Fashion brands know the power of tapping latent emotional desires. They convey and own dreams and aspirations. They derive more from authority, class and provenance of the brand than mere expertise. They know the mood and feeling of the dream world that they want to connect with and that becomes their marketing strategy. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] Brands have created their own brand worlds. They've opened a window to this world through their products, advertisements, catalogues, stores, celebrity endorsements, and so on. All these get subconsciously associated to their brands. A brand’s esteem is real. Its value reflects in its price. Its social exaltation may have moved it to the heart of a society and culture. Millions may gush about it. Despite the distinguished history of brand building in capitalism, and despite its immense influence in our culture and society, scientific research has not revealed any evident, consistent set of measure to ‘size up a brand’. Whenever neuromarketing, research and experimentation has been attempted it always finds tremendous diversity, not homogeneity. The only reasonable scientific conclusion is that our relationship with a brand is not what we typically think it to be. Such a relationship is not innate but made from basic constituent parts. It varies from culture to culture. It is something we cultivate and create. Brands are real, like money is real – an outcome of human agreement. Gestalt is the concept of the whole being other than the sum of parts. We respond to brand facets and associations consciously and even more, subconsciously. The power of these underlying connections with brands becomes obvious when we look at the luxury experience. It is the brand that brings alive the dream more than the product or service. You want a Mont Blanc pen. Which one of the many can be decided later. You own a Louis Vuitton bag and that is-in itself-a qualifier. Quality, preciousness, rarity are possible to create via imitation but the singular uniqueness that is embodied in a brand can never be copied. The goal of luxury branding is to gain and sustain pricing power. It rests on intangibles. But it wasn’t always so. In ancient or medieval times the richest of the rich, including royalty, patronised bespoke luxury. But it was luxury because they bought it for their use. Value was in the raw material, craftsmanship and expense. In modern luxury, value resides in the brand. What Cartier sells in its bright red boxes are dreams. This kind of brand power goes beyond the rational. Our unconscious mind tells us whatever we need to know. We feel positive impulses and use that as a shortcut to our decision. A luxury brand has a set of emotions or feelings attached to it. There’s a desire embedded in a dream. The brand is in the entirety of sensory engagement. Though , with will power, we can consciously override our emotional pull toward the luxe product and choose the cheaper option, many of us just feel life is better with the luxury. We buy a reputation built and attested to by elites. The visual imagery is brilliant. Joining a luxury brand club is a ticket for social advancement. These gut feelings have impact on quick decisions at the shelf in the supermarket, at the drugstore, or even online. Our feelings serve as shortcuts; we don’t want to think about the choice too much. – The fashion world is all brand but very little conventional brand management- Fashion and luxury brands build compelling brand dreams better than any other industry. They’ve built profitable empires on rich brand associations and emotions. Judging by conventional mass marketing norms, Luxury can be viewed as not strategic in the typical sense of having a clear brand message, role of the product, or point of view. But think of fashion as a verb. Maybe they know something we don’t. Gabrielle Chanel died in 1971 but Coco Chanel is still living. Fashion brands know the power of tapping latent emotional desires. They convey and own dreams and aspirations. They derive more from authority, class and provenance of the brand than mere expertise. They know the mood and feeling of the dream world that they want to connect with and that becomes their marketing strategy. Think of a fashion brand. Do you know anything about the brand positioning of Gucci ? I am assuming that you don’t. What is your knowledge about Gucci, as a brand ? How about Prada, Hermes, Chanel, Patek Phillipe , Estee Lauder, Balenciaga, Valentino? Does the turquoise box from Tiffany’s need a positioning statement? Each one of these has a clear, distinct, and rich brand culture connected to it. They’ve created their own brand worlds. They’ve opened a window to this world through their products, advertisements, catalogues, stores, celebrity endorsements, and so on. All these get subconsciously associated to their brands. Bottega Veneta has built a strong brand with prestige, cachet, and style. Of course, it produces high quality products that are on trend, but does it have a message, a unique selling proposition, or a functional positioning in the market? It has none of these, and it doesn’t matter. It has a boldly consistent brand look and feel that creates a relevant and aspirational package. It has cachet. The strongest brands are built like a spider’s web. Each strand is an association. Each strand is fragile but the web is strong and lasting. The strongest brands in the world have this kind of associative lattice. And one doesn’t have to be a luxury brand. Think of Coca-Cola, who have owned the top spot on the list of the world’s most valuable brands. According to Coca-Cola, the brand stands for happiness. When you open a bottle, you “open happiness,”. Is that all ? Happiness may be a key component of its brand and is a great emotion for a brand to connect with and own, but Coca-Cola is a globally loved icon because it is representative of America. It’s all-American. It offers a taste of America for all. It’s optimistic and uplifting.

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Simply Speaking: Brand Gestalt – going beyond positioning

Gestalt refers to how the brain prefers to seek out the whole of something, rather than the individual parts. Brand Gestalt represents the whole of the brand – it’s the complete picture. [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] In many ways, a brand is an illusion. It exists in our unconscious and in our feelings. But that – by itself – is powerful. These connections in the mind add real value to the products and to our lives. Wearing a fake Rolex will give us less pleasure than wearing the real thing. Take the Nike swoosh off a sneaker and it loses its magic. Why? Because value gets created in the mind. It must have emotional value to you. In this way, brands can add real value, beyond their physical product attributes. It is not water, it is Evian! (Representational image via Unsplash)   The whole is other than the sum of the parts. – Kurt Koffka Classical Brand Management craves simplicity. It values ownership of words and feelings. It attempts to reduce everything to a tagline, a word and a positioning charter. But the real world is complex. Often a brand is compared to a diamond with many facets but perhaps it is more like an intricate spider’s web. It has borders, lattices, holes. Certainly, the things articulated and understood matter less than the more unconscious and subconscious components. It’s a messy network of associations that get woven together to form an unconscious representation of the brand. Think of it as a primordial broth boiling above threshold with fleeting images, abstract thoughts, biases and nuanced emotions. But much more is in the subconscious. A brand is a collection of associations that exist in the minds of consumers. Many of these associations can be conscious, like the product or service itself in terms of its function, design, the advertisements, and so on. But, that is just the tip of the iceberg. Many of the powerful feelings and emotional undertones that we automatically and unconsciously connect with a brand exist below our awareness. There is a “gut feeling” that anchors every brand you know. It can be positive, attractive and compelling. It may be negative, even repulsive. If it is neutral, there is no real relationship with the brand. This hidden combination of associations powerfully influences our decision-making and behaviour, mostly acting subconsciously. To thrive, a brand must have positive traction. When a brand becomes something that people aspire towards, it grows. It could be a feeling, an association or a taste of the life they’d like to live. Modern marketing lexicon calls it “aspirational.” [siteorigin_widget class=”SiteOrigin_Widget_Image_Widget”][/siteorigin_widget] A brand is an illusion. It exists in our unconscious and in our feelings. But that – by itself – is powerful. These connections in the mind add real value to the products and to our lives. Wearing a fake Rolex will give us less pleasure than wearing the real thing At Diageo, I once attended a full brand immersion session for Ketel One Vodka. Every element – its myth of origin, bottle shape, claim of bold masculinity, classic authenticity, Dutch heritage. It has been nurtured and furthered as a unique brand that cues ruggedness, purity, ‘copper pot still’ classic heritage. A brand that is honest, premium and confident. The ubiquitous marketing term “positioning” was coined by Al Ries and Jack Trout in the 1970s. For the first time, it was posited that a brand can only own one simple idea in consumers’ minds. One brand, one idea. I feel it was a brute oversimplification. What is more, the way positioning was originally described, it was more the physical product description a brand could own. For example, Amul is milk, Lux is soap, and Dettol is a brown antiseptic liquid with a unique smell. Those brands were housed between mental walls set up for what each of those brands can do. I have seen countless tools from major marketers intended to capture a brand’s positioning on paper. These can take many forms such as a one-sentence positioning statement, a brand house, a brand architecture, a brand onion, a brand key, a brand wheel, a brand pyramid, and more. None of these reflect the reality of how consumers experience brands. The map is not the terrain. They focus on the conscious side of brands, while almost entirely ignoring the powerful unconscious side. They reduce things to the absolute essentials. But it is in excess that the differentiation truly flowers. Can you visualise a home by looking at the architect’s plan drawing? It is certainly important to know who your target audience is, the insight you want to tap into, and what the functional and emotional benefits are, but isn’t it also important to viscerally experience and feel the brand the way your consumers do? This rich, 3D brand world is filled with emotions and loose associations. It is much messier than the simple positioning documents. Be wary of reducing the brand down to its essential components or a ‘one word equity.’ When marketers talk about reaching consumers ‘emotionally’ they are still focusing on conscious elements. In psychology, the term gestalt refers to how the brain prefers to seek out the whole of something, rather than the individual parts. The brain wants to quickly categorize something and figure out its function, so it will auto-fill what it needs to create a complete picture that it can make sense of. In much the same way, the Brand Gestalt represents the whole of the brand – it’s the complete picture-beyond just the conscious pieces that fit nicely on a page. “Gestalt” is German for “unified whole”. The first Gestalt Principles were devised in the 1920s by German psychologists Max Wertheimer, Kurt Koffka and Wolfgang Kohler — who aimed to understand how humans typically gain meaningful perceptions from the chaotic stimuli around them. They identified a set of laws which address the natural compulsion to find order in disorder. According to this, the mind “informs” what the eye sees by perceiving a series of individual elements

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